Symbiotech II orchestrates communication between the physical and emotional realms through the theatrical movement of polymorphic snapshot compositions. It embodies a range of emotions and metamorphosis, suspended in a dreamy state of being. The bag’s formation is undefined, perpetually “en cours,” mourning pain while adapting to the various worlds and elements it encounters.

Through movements—both intense and soft—it grows, exploring the gap between these contrasting forces or the aura that connects them. This relationship unfolds as a dreamy, theatrical dance: a tension between compression and release, creating waves of emotion and a constant search for connection to the worlds it attaches itself to.

Its shape is fluid and light, supported by structural “bones” that allow it to bounce and reflect its weightlessness. In this enigmatic state, it invades its environment, absorbing stimuli from the diverse planes it encounters. These stimuli circulate through its internal venous system, extending its aura outward to grow and eventually land in one of the dreamy worlds it seeks.

This bag is not just an accessory; it is a complex, magical organ—a soft yet transformative vessel designed to traverse time, space, and emotions. It serves as a portal, inviting users to explore and inhabit realms of imagination, emotion, and otherworldly dreams.

Symbiotech II, transforms a vitrine facade into a polymorphic realm—inviting viewers to discover, connect, and step into an experiential moment. Through displays, visual imagery, and identity, we craft narratives that blur boundaries and spark imagination.

From a bag to body-wear, Symbiotech has evolved into an entity of aura, blurring the boundaries between the physical and mental realms through a theatrical dance of polymorphic challenges. No longer a rigid, massive identity, it now moves freely between lights, bending and growing in a state of interference—caught between creation and destruction, as it continues its search for transformation.

In a world shifting rapidly—economically, environmentally, technologically, culturally, and politically—the importance of adaptation and metamorphosis is vital. Symbiotech conceptually demonstrates how differences, when embraced, can reveal a shared DNA. It shows how gaps between worlds, ideologies, and beings can be used to form a conduit for collective evolution, leading toward a shared journey.

As it dances between lights, seeking its true form, the Symbiote’s final manifestation remains unknown—a fluid expression of growth, change, and connection.

From a bag to body-wear, Symbiotech has evolved into an entity of aura, blurring the boundaries between the physical and mental realms through a theatrical dance of polymorphic challenges. No longer a rigid, massive identity, it now moves freely between lights, bending and growing in a state of interference—caught between creation and destruction, as it continues its search for transformation.

In a world shifting rapidly—economically, environmentally, technologically, culturally, and politically—the importance of adaptation and metamorphosis is vital. Symbiotech conceptually demonstrates how differences, when embraced, can reveal a shared DNA. It shows how gaps between worlds, ideologies, and beings can be used to form a conduit for collective evolution, leading toward a shared journey.

As it dances between lights, seeking its true form, the Symbiote’s final manifestation remains unknown—a fluid expression of growth, change, and connection.